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Today’s video post Friday is full of awesomeness and inspiration to get out and capture. We haven’t posted a timelapse in awhile, but this one arrived in my inbox earlier this week shot by photographer Mike Olbinski. It shows an awesome storm sell just outside of Booker, Texas.
Wow it’s Friday already, we’ve just got back from a quick little trip/photo tour to get some new content for RAW. Posts will be coming out about that very soon. Anyway lets move onto the video post Friday. Surreal and Composite photography is meant to be fun, but at the same time you can create [...]
Peter Coulson, for those that don’t know of him, is an award Australian Fashion Photographer. He’s well known for his provocative work, with themes of religion, angels, devils, bondage, nightmares, innocence, sexuality and power.
I’m a keen timelapser and love looking at the awesome work that gets posted up on Vimeo. Of recent there has been an increasing trend in something called Hyper-lapsing.
It’s important especially for those of us making a living from photography to shoot and challenge ourselves creatively so that we do not become stale with the repetitive work that makes up the bulk of most photographers income. True there are those that get to flex their creativity muscles and come up with some amazing [...]
Aaron Nace over at Phlearn released this great two part video series on creating an indoor sunset photo. Part 1 talks about the setup and Part 2 (after the jump) goes through the post processing side of things.
Filmmaker J.J Abrams has done a interview with the British Academy of Film and Television Arts or as you probably know them as BAFTA.
This is an interesting look into the mind of a modern day retoucher. Chester Van Bommel will be known to some of you for his amazing retouching skills. He’s been a retoucher for over 20 years and has been able to move with the changing times into the world of photoshop and he now classes [...]
Hyperlapse is a form of timelapse where you traverse a great distance in what seems to be seconds. I have never done one “YET” but I assume it would take a great deal of patience as you would not only have to move the camera but also re align it at everyshot.
The other day on G+ I posted a photo of my ThinkTankPhoto Airport Takeoff packed full of gear for a location shoot. There were a few questions as to why so much for a simple shoot. In actually fact there really wasn’t that much gear in comparison.